National Repository of Grey Literature 7 records found  Search took 0.00 seconds. 
History of the North Czech philharmonic Teplice
Kolařík, Tomáš ; PANOCHA, Jiří (advisor) ; TOMÁŠEK, Jiří (referee)
In his master thesis the author provides a look into the history of The North Czech philharmonic Teplice, the only professional symphonic ensemble in the region of Ústí nad Labem, since 1948 until now. The work is divided into four main chapters. The first one gives an overview about the most significant conductors, which held a position of either a chief-conductor or a deputy. The second, crucial chapter brings an insight to the historical development of the orchestra, its changes and events, from the time of the re-establishment (1948) to the year 2016. In the third chapter, the author mentions the most important information about Ludwig van Beethoven music festival, of which The North Czech philharmonic Teplice is an organizer, and then gives a brief and incomplete list of the festival's seasons. The final chapter marginally sums up the work with the information about a new feature called "orchestra academy", inspired by the main czech orchestras. The thesis is attached with pictures showing the rehearsals and concerts environment in the time course and recent images of the orchestra, which enhance the possible plain and fact-like character of the whole work.
Brno phylharmonic, history and present
Blaha, Marek ; ČEPICKÝ, Leoš (advisor) ; KOTMEL, Bohumil (referee)
Bachelor thesis- Brno phylharmonic, history and present
PRAGUE SYMPHONY ORCHESTRA FOK AND ITS BRASS SECTION
Štainerová, Kateřina ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
This magister thesis Prague Symphony Orchestra FOK and its brass section is divided into four chapters. The first chapter deals with the development of the orchestra since its foundation up to the present. The chapters from the second to the fourth focus on the brass section including the detailed artistic curriculum vitas of the current musicians. The second chapter is concentrated on the members of the trombone section (including also two members that play tube). The third chapter deals with the trumpet section while the fourth chapter deals with the section playing French horn.
Oboe section of Prague Radio Symphony Orchestra
Pavlíček, Lukáš ; MIHULE, Jiří (advisor) ; BROŽKOVÁ, Jana (referee)
Thesis about oboe section of the Prague Radio Symphony Orchestra introducing first prosopographical summary of oboists from 1926 to 2014, who were employed in the orchestra or were in long term assistance. A biographical inventory of oboists and their solo recording catalogues are fundamental prerequisites for deeper reasearch for developement of interpretative forms. The first three chapters describe resources, sources and historical and contemporary forms of radio orchestra. Chapter four illustrates circumstances of the formation of Prague Chamber Orchestra. The last chapter consists of resumes of individual oboists, including their detailed education and artistic career. Indispensable components of this thesis are charts of recordings for Czech Radio. The author analyzes the biographical inventory of oboists in radio orchestra and considers the role of the oboe section and it's position in interpretation of solo compositions. The apendix includes sources and other materials, photos and documents from the radio archives.
The Issue of Financing Symphonic Orchestras in the Czech Republic
Hannsmann, Jiří ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Master thesis -The Issue of Financing Symphony Orchestras in the Czech Republic? is trying to present the example of 14 Czech symphony orchestras and a number of problems in financing, which they are supposed to solve. The development of professional ensembles in the past is used as a way to explain that the performing of music, which meets the contemporary aesthetic requirements, has never been self-sufficient and alike today hes been dependent on the donors. The evaluation of the operation of particular symhony orchestras is complicated because of the high variability of the basic conditions and quite frequent inaccuracies in the publicised figures. I used all information accessible to the public about financing of 14 symphony orchestras and tried to show the most distinctive differences in subsidies from their founders. In the end I wanted to show sketches of possible solutions of the permanent underfunding of professional music ensembles in the Czech Republic.
The Way of Financing the Selected European and American Orchestras
Moravec, Jaroslav ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This study deals not only with orchestras financing issues but also with culture systems in general, and it does so in different states, societies and cultures. For the purposes of the systems comparison and at the same time for relating it to the Czech Republic environment, I have chosen the orchestras of Wiener Philharmoniker, Berliner Philharmoniker and Concertgebouworkest in Amsterdam as the representatives of continental Europe; New York Philharmonic together with Chicago Symphony Orchestra from the USA; and London Symphony Orchestra from Great Britain as the border line between the European and the American world. The aim of this study is to formulate a comprehensible overview of the most important characteristics of the above mentioned issues.
History of the North Czech Philharmonic Teplice from 1838 to 1945
Kolařík, Tomáš ; PANOCHA, Jiří (advisor) ; ŠTRAUS, Ivan (referee)
In my bachelor thesis I write about the history of the North Czech Philharmonic Teplice namely from 1838 to 1945. It is divided into five main chapters. The first chapter discusses the spa music events in Teplice and also the circumstances of the spa orchestra itself . The second chapter gives a comprehensive overview of the various personalities of each bandleader and presents them in connection with their work as a head of the band. In the third chapter we learn about the stay of some famous composers in Teplice, who often came here not only to the spa to recover and gain new energy, but also for get inspiration for their next creating. The fourth chapter, like the second, brings a list of some famous artists who performed in Teplice, either as a soloist or conductor. The fifth chapter titled Theatre in Teplice additionally completes the view of the cultural background of Teplice since 1874, where many concerts of world music masters have been held, which is being mentioned in the previous chapter. Enriching the work I attach a picture, showing for example historical papers, old photographs and posters of concerts.

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